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'Blue Prints' – I'm drawn to the layers of association


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I’ve been looking at some reproductions of Carol Flueckiger’s “Blue Prints.” This collection of artworks is unlike anything I’ve seen. I’m not an art aficionado by any means, but these images are drawing me in.

She’s made them in layers, and at first glance they’re interesting … but then I notice another element in the piece I’m looking at. Then another. My eyes travel around the work, taking in one feature after another, wanting to absorb every bit I can. The longer I look, the more meaning I see, the more I feel.

The scanned image above does NOT do justice to the reproductions I’ve seen – and those are just on a brocure. I can imagine how powerful the real pieces are when seen in person.

Tricia Earl, coordinator of Texas Tech’s Women Studies Program, told me about Flueckiger as I interviewed Tricia about the All-University Conference on the Advancement of Women in Higher Education. Flueckiger’s work will be highlighted during the opening presentation of the conference, 5:30 p.m. Thursday in the Mesa Room of the Student Union Building, 15th Street and Akron Ave.

Jennifer Snead, an assistant professor of English and a faculty affiliate in the Women’s Studies program, wrote in a brochure about Flueckiger’s “Blue Prints,” explaining the artist digitally photographed letters written by heroes and heroines of the anti-slavery and women’s suffrage movements. Flueckiger later worked with 19th-century paper dolls. Then she brought those two things together, adding much more. Snead writes:

In “Blue Prints,” Flueckiger juxtaposes lines from the reformers’ letters with these mass-produced images of the culture they attempted to reform and with personal objects: a dress, a bra, a coffee mug. Using transparencies, traditional painting and drawing techniques, and the photographic process of cyanotype, Flueckiger renders these gleanings from the archives and from her daily life onto large wood panes, creating composite images rich in layers of association.

I believe in getting off the couch and living life in a way that helps others. I'll speak up for women before you can blink, and I believe we need to do all we can for childre...



2 comments
  • 6 months ago

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  • 4 months ago

    A recent New York Times article looks at the latest portrayal of divinity, Mel Gibson's "The Passion of Christ", which features Jesus-as-hunk. The article states: "archaeological evidence that the average man of Jesus' day was about 5 feet 3 inches tall and a bantamlike 110 pounds. Given the harsh conditions, especially for working stiffs like the members of Jesus' family, combined with Jesus' ascetic lifestyle, which included walking everywhere, scholars agree that he was most likely a rather sinewy peasant mortgage, as tough as a root and about as appealing." Hmmm. The article goes on to give a fascinating overview of how we have remade Christ's imagery to fit our moods for all these thousands of years. It offers some insight into our gods and our notions of what is god-like appearance, as well as some paintings based on archeological evidence. It would seem that the root of the issue though might not be "Did Jesus have blue eyes", but rather how does one capture the immensity of divinity in without being abstract?




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